People's History of the NHS

  • 19
  • MAR

NHS from A to Z

by Jenny Crane

After three years of running this project, and post seventy years of the NHS, we’re taking the opportunity to reflect on some of the historical pieces we’ve written on this website. We have not provided a comprehensive vision of the NHS – this massive, meaningful, complex, critical service. However, we do hope that we’ve provided slightly more insight into the everyday and emotional cultures of the NHS, into its role in cultural belief and value, and into what it means, and has meant, for people over time. Our ability to write these histories has been informed, enhanced, and productively challenged constantly through our public events and the wonderful memories and comments shared on this website. These memories, and our historical writings, show the place of the NHS as both mundane and profound, both assumed and obvious in everyday life, yet also deeply vested with meaning, critique, and political power.

So this A to Z of the NHS is a summary of some of our key research findings, and a big thank you to all those who have raised new questions for our work, shared their memories, and sent us off on new historical trajectories!

.A is for ACTIVISM
Which shows how much the NHS means to publics, and when we will move from feelings to action to defend it.

Which signifies how the NHS has distributed medicine and, in doing so, been a force in the empowerment, and the continuing social management, of women over time.

The use of the Service by politicians has revealed the ways in which the NHS is universal, providing for all, but also a deeply contested and powerful symbol in party politics and media.

The NHS brand was only created in the 1990s, yet, today, is a prominent and emotional symbol.

Public feeling around the NHS has increasingly shaped party politics.

The popularity of this Service, its persistent local and regional nature, and the strains it faces, have been reflected in fundraising efforts.

.G is for GLASSES
Which show the material cultures of the NHS, providing small but important contributions to everyday health from childhood.

Which symbolises a rich tradition of the NHS as represented in culture and film.

Demonstrative of the terse relationships between public health and the NHS, and the challenges of pushing behavioural change even within a universal service.

.J is for JOKES
Humour and comedy around the health service reveals its everyday meanings, and showcases subversive critique.

.K is for KEYWORDS
An examination of the NHS as portrayed in literature.

.L is for LARKIN
Whose poetry situated hospital buildings as part of a bleak, mundane, but familiar post-war landscape.

A ‘Cinderella Service’ nonetheless transformed over the twentieth century within the NHS.

A critical novel suggesting that the NHS lacked care, compassion, and individual treatment during childbirth, because of its size and power.

An emotive issue but one, nonetheless, again negotiated and understood within the NHS and through popular culture.

Indicative of public feelings for the Service, which have developed alongside more diffuse forms of political participation, pushing for the NHS to be reformed and changed, as well as maintained.

VLUU L200 / Samsung L200

.Q is for QUIRKY
A term which comes to mind when browsing our Virtual Museum of the NHS, and it’s range of artefacts and visions!

While the NHS was founded as a service ‘for all’, what did this mean in practice?
Whose voices were represented in its politics and practice, and whose were not?

.S is for SCOTLAND
Examining Scotland’s relationship with the NHS reveals the national divides which exist beneath the surface of this gigantic organisation.

.T is for TEA
While appearing mundane, the history of tea is the history of habits, everyday life, and behaviours within hospital wards; a sensory history of taste, smell, and sound.

.U is for UNIONS
A history of the British Medical Association from the contentious foundation of the NHS to present.

A technology which developed rapidly alongside, and within, the Service, and through which the landscape of disease and health has been radically reformed. Many childhood memories on our website discuss long-term stays in tuberculosis wards of the 1950s; a phenomenon drastically reduced by vaccinations.

.W is for WIGS!
Looking at wigs shows the role of the NHS in shaping visions of health, and of wellbeing, as well as disease. Wigs are symbolic of the transformative nature of the new Service, in every home.

.X is for X-RAYS
One of the scientific innovations which was, again, provided by the NHS and yet negotiated in public health films, jokes, and visual culture.

.Y is for YOUTH
and premature birth in the NHS, symbolic of the institution’s care from ‘cradle’ onwards, and the significant leaps in medical technologies over its history.

.Zzzzzz is for SLEEP
A motif in street art of the NHS, where the Service is pictured as a baby, suggestive of a caring relationship with the public, embued by responsibility and a burden of care.

These lovely articles above were written by various members of our team, past and present: our Principal Investigators, Professors Roberta Bivins and Mathew Thomson, and our Research Fellows Drs Jane Hand, Natalie Jones, Jenny Crane, Jack Saunders, and George Gosling. This list also features two guest posts: Scotland, written by Professor John Stewart, and National Babies, by Philippa West.

Upcoming Events

See more Events

Twitter Feed

The information is provided by us and while we endeavour to keep the information up to date and correct, we make no representations or warranties of any kind, express or implied, about the completeness, accuracy, reliability, suitability or availability with respect to the website or the information, products, services, or related graphics contained on the website for any purpose. We only capture and store personal information with the prior consent of users. Any personal information collected as part of the user registration process or the submission of material (including, but not limited to, name, address, e-mail address) will be stored securely, and accessible only to members of the Cultural History of the NHS project team. We will not sell, license or trade your personal information to others. We do not provide your personal information to direct marketing companies or other such organizations. These opinions do not necessarily represent those of Warwick University or the Wellcome Trust.